Iconic music critic Byron Coley looks for traces of NYC’s No Wave in contemporary culture
Byron Coley helped tame the frenetic 1980s into comprehensible indie
canons through corrosive wordplay that unfurled with the energy it
sought to describe. Interviews, reviews and features in epoch-making
mags like Forced Exposure and Spin evolved into
collabs and friendships and Coley’s words have appeared on liner notes
for everyone from Dinosaur Jr. to Sonic Youth. He co-writes a column for
Arthur magazine with Thurston Moore, a listicle-style
breakdown of their joint knowledge of underground culture. In 2008,
these encyclopedic insights manifested as a co-authored book, No Wave: Post-Punk. Underground. New York 1976-1980.
Now, in 2014, Coley’s joining the dots from that point to the present
tense. There’s no one better placed to pick apart our cultural landscape
and drop a peg on the people and places that still embody the No Wave
way.